Thematically, the focus is on the relationship with the cultural heritage of socialism, spatial and temporal memory, views on collective war traumas and fight for social rights. The special chapter Visual Reflections deals with creative experimental processes of visual narrative.<\/p>\n
Each of the films directly leans on the design works exhibited at Zgraf 12’s Review and Theme. The line-up consist of works primarily directed by Croatian directors, to shed light with this particular selection on how our national production copes with delicate, problematic and important issues of Social Reruns.<\/p>\n
The line-up focuses on and raises awareness about the important socio-political issues, as well as the necessity of neverending creative\/experimental rerunning and reinterpreting within the boundaries of the visual language of graphic design and film.<\/p>\n
25 FPS Audiovisual Research Association<\/strong> exists since 2004 and focuses on short film, publishing, education in the field of new media and film culture. Its most important project is 25 FPS Festival, the international experimental and art film festival. 25 FPS Festival screens independent and non-commercial films which innovatively explore the possibilities of film language, narrative and the medium itself, cross the borders of film genres, and stimulate understanding of film as art. The festival promotes expressive creative concepts, thematic, conceptual and aesthetic breakthroughs and works perpetuating the tradition of avant-garde and experimental film.<\/p>\n Eduzgraf Cinema: <\/strong> Lunch<\/em><\/strong>, Ana Hu\u0161man, <\/strong>2008, 17’20” screenwriter and director: Ana Hu\u0161man The rules of correct behaviour found in books of etiquette present themselves as aiding communication and helping people understand each other. They also claim to help us engage socially with greater ease and self confidence. These rules are learnt from birth which is the only way for us to completely internalise them. Their model is found in western civilizations, and compliance with them makes it easy to discern who is civilised and who is not. The film deals with customs of eating and drinking – specifically with the lunch situation, as communal eating is the central site of showing others our breeding and finesse.<\/p>\n Arheo 29<\/em><\/strong>, Vladislav Kne\u017eevi\u0107, <\/strong>2010, 9’30” director, creenplays and cinematography: Vladislav Kne\u017eevi\u0107 If the new world ever existed, it is still hidden way behind the horizon. An analogue clock is ticking away the last seconds before world crisis, while a noble patina covers fragments for archaeologists of memory. A silent relief in between two wars; a time of diffident bodies, of melancholy leisure, of secret divisions of the world.Archive photos from an illustrated entertainment magazine of 1929 as the basis for his experimental-animated film, thus creating an associative, yet disturbing \u201cfilm journal\u201d.<\/p>\n Kino Crvena zvijezda (eng.<\/em><\/strong> Red Star Cinema)<\/em><\/strong>, Silvestar Kolbas, <\/strong>2014, 10′ director and cinematography: Silvestar Kolbas Among the ruins of the cinema of my childhood, I found the remains of a film tape with pieces of films produced by the former state. Decay gave the tape a new quality and created a new aesthetic. The tape has found its way to its audience again. But nothing is the same.<\/p>\n Moving elements<\/em><\/strong>, Marko Tadi\u0107, <\/strong>2016, 6’30” director and \u00a0screenplay: Marko Tadi\u0107 Moving Elements<\/em> focuses on the creative processes that lead to making art. A car passes through all the stages of creative art process and becomes part of art works, as well as a player in abstract processes of creating. The film is meant as a tribute to filmmakers and films made in the golden age of the Zagreb School of Animation. To a certain extent it uses a visual language characteristic of the period \u2013 the 1960s and the 1970s.<\/p>\n Dota<\/em><\/strong>, Petra Zlonoga, <\/strong>2016, 4’32” director and screenplay: Petra Zlonoga Dota is an exploration in sound and vision which combines traditionally animated stop motion line play with a female voice. The lines appear, disappear and interact just like threads in a fabric, create and dissolve embroidery. The lines compose the visual part of the fabric, against the audio backdrop of a voice and a song. The film\u2019s title describes the local tradition of a dowry, objects and belongings prepared for a girl, often woven or embroidered fabrics, she brings into her new family after marriage.<\/p>\n Here there<\/em><\/strong>, Alexander Stewart, <\/strong>2015, 4’40” director and screenplay: Alexander Stewart Here There gives graphic form to memory\u2019s malleable, straying lines. It begins as a traveler\u2019s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.<\/p>\n Pain so light that appears as tickle<\/em><\/strong>, Dalibor Bari\u0107, <\/strong>2010, 4’04” director and screenplay: Dalibor Bari\u0107 Pain is slowed down in slow motion up to the sensitivity threshold and is sold as an everyday anesthetic. We browse through ready-made catalogues of horror, instructions for use, we order attractive ideas-images; we wish to leave our bodies and become that image for a change. Watching a film, we forget about ourselves pretending not to be interested in the content; in fact, we are interested in the hypnotising, pulsating light, which is when we discover our magical and tribal conscience and repressed fear of life.<\/p>\n Abode of Vacancy<\/em><\/strong>, Tanja Deman, <\/strong>2011, 7′ 15” production and distribution: Tanja Deman<\/p>\n Video Abode of Vacancy<\/em> is a non-narrative fiction composed of a series of constructed tableau with subtle movements. They are concerned with the environments of nature and the modernist architecture occupied by the feeling of emptied state.<\/p>\n Betonski spava\u010di (eng. Slumbering Concrete)<\/em><\/strong>: Brief encounters along the Adriatic road<\/em><\/strong>, Sa\u0161a Ban,<\/strong> 2016, 50\u2032 director: Sa\u0161a Ban Documentary series about modern architecture of the former Yugoslavia – from the times of utopian building for better society. Documentary series Slumbering Concrete erects its narrative around modern architecture in Croatia and regions of the former Yugoslavia – an area distinguished by large number of vacated and ruinous buildings from 20th century that are of immense architectural significance. The series is composed of 4 thematic chapters, of which the first is dedicated to architecture of tourism purposes, second to monuments and commemorative buildings, third to post-industrial and post-military landscapes and fourth to great ambitions of unfinished modernizations. Every chapter contains 4 episodes. Every episode is a dramatic story about contradictions of Yugoslav socialist society settled between East and West, democracy and totalitarianism – saturated with utopian idea that the architecture has the ability to make our world a better place. In the episode Short Encounters Along the Adriatic Coast<\/em>, we travel along the Adriatic motorway, the road that brought dramatic changes to coastal life and became part of many tourists’ collective memory. We stop at motels, short-term stay locations, with a special focus on those designed by Ivan Viti\u0107. Their elegant and modern architecture is today in many ways left to decay.<\/p>\n Zagreb Confidential \u2013 Imaginary Future<\/em><\/strong>, Darko Fritz, <\/strong>2015, 14′ director and screenplay: Darko Fritz By using innovative editing techniques partially based on a computer algorhythm, the film traces 50 years of urban development of a Zagreb. The heritage of modernism and utopian urbanism are placed in today\u2019s context marked by transition and lack of urban planning.<\/p>\n Dane Komljen, James Lattimer, All Still Orbit,<\/strong> 2016, 23′ All Still Orbit links together two apparently unrelated moments in the construction of Bras\u00edlia: the dream by an Italian saint used to justify its creation and a small city built by the workers constructing the new capital to house them and their families. How do you make sense of a city built on a dream? Are all dreams made equal? Sometimes a documentary can feel like a fairy tale.<\/p>\n Miramare, <\/em><\/strong>Michaela M\u00fcller<\/strong>, 2009, 8’8” director: Michaela M\u00fcller A look at life on the mediterranean borders of Europe, where tourists try to relax while “illegal” immigrants struggle for a chance to a better life. Breaking out of a strictly confined tourist zone, two children of a Swiss family experience quickly that reality here has very little to do with the posh life in the camping site. Then a storm hits the shore and washes away almost all distinctions between rich and poor.<\/p>\n The Verdict,<\/em> <\/strong>\u0110uro Gavran, 2012<\/strong>, 11′ director: \u0110uro Gavran Being in the right place at the right time has always been a mark of a good documentary filmmaker. However, what distinguishes a brilliant filmmaker from a mere chronicler is the way they shape the filmed material into a coherent cinematic whole. In his film The Verdict,<\/em> \u0110uro Gavran films the crowd, decorated with nationalist symbols, gathering in Zagreb\u2019s main square to see the live broadcast of the trial to Croatian generals in The Hague. In a Diane Arbus manner, Gavran manages to capture the almost grotesque moment when the faces of individuals at the moment of sentencing change from euphoria to teary-eyed disappointment. Still, the formal precision of this film\u2019s making and editing makes it possible to take a dignified distance from the protagonists and gives us food for thought about the real motifs that stimulate these people to use nationalist iconography as compensation for their sorrow, trauma or disappointment.<\/p>\n An Encounter, <\/em><\/strong>Igor Bezinovi\u0107, <\/strong>2009\/2010, 26′ director: Igor Bezinovi\u0107 Imagine joint demonstrations of students and farmers! Such an improbable encounter happened on the Feast of Corpus Christi in 2009 on Vukovarska street in Zagreb, when students from Faculty of Social Sciences came to support the farmers’ demonstrations in front of the building of Ministry of Agriculture. In spite of the fact that this event was present in all the media, this film is the only video recording of this unusual one-day encounter of students and farmers. Euphoric student night and sobering farmers’ day; media-conscious activism and heavy machines on the streets; plenary form of organization and quarrelling farmers’ associations – these are just some of the manifestations of this unexpected alliance.<\/p>\n Delta \u2013 An Affluence of Art<\/em><\/strong>, <\/em>Marin Lukanovi\u0107, <\/strong>2015, 26′ director and screenplay: Marin Lukanovi\u0107 Nine artists share a common workspace in the very centre of Rijeka. They continually ask themselves whether they are a collective or just a group of people, what are their common values and what is it that links them: just the need for workspace, or a set of common goals and views on art and life. Film was created like part of WP4 (\u201carTVision movies\u201d: executive production of arTVision audiovisual products made by professional filmmakers) project arTVision \u2013 a live art channel founded program IPA ADRIATIC CBC 2007\/2013, prodaction Filmaktiv and PG\u017d.<\/p>\n \u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Eduzgraf film programme is curated in collaboration with 25 FPS Audiovisual Research Association and selected by Sanja Grbin, Marina Ko\u017eul (25 FPS) and Mihaela Richter (Eduzgraf). For 12 years, 25 …<\/p>\n","protected":false},"author":2,"featured_media":1079,"parent":0,"menu_order":31,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-2494","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
\nFRIDAY, 20 January 2017 \/ 5 PM – 10 PM<\/strong><\/p>\nSocial Nostalgia? \/ 5 – 6 PM<\/strong><\/h4>\n
![\"rucak\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/rucak-e1483445448273.jpg\")
\nCroatia
\nshort experimental film<\/p>\n
\ndirector of photography: Ivan Slip\u010devi\u0107
\ncamera assistant: Marko Rukavina
\nstyling: Maja Kri\u0161kovi\u0107, Snje\u017eana Topalu\u0161i\u0107
\nstage manager: Dragutin Hu\u0161man
\nanimation: Ana Hu\u0161man, Dina Ron\u010devi\u0107, Lala Ra\u0161\u010di\u0107, Marko Rukavina, Maja Kri\u0161kovi\u0107, Nicole Hewitt
\nsound recording: Ana Hu\u0161man
\nsound design: Tomislav Domes
\nmusic: Tad bi me primio za ruku (instrumental), ZVUKBRODA
\neditor: Iva Kraljevi\u0107
\nCast: Maja Bosni\u0107, Nenad Borov\u010dak, Ognjen Brborovi\u0107, Marijana Broni\u0107, Tomislav Domes, Daniel Gr\u017ein, Nicole Hewitt, Billie Hewitt-Pavlica, Ana Hu\u0161man, Dragutin Hu\u0161man, Jelena Hu\u0161man, Lina Kova\u010devi\u0107, Eugen Kramari\u0107, Sr\u0111ana Modrini\u0107, Igor Pavlica, Lala Ra\u0161\u010di\u0107, Marko Rukavina, Tanja Rukavina, Dante \u0160oli\u0107, Ivana \u0160ubi\u0107, Emina Vi\u0161ni\u0107, Edi Werft
\nexecutive producer: Maja Juri\u0107
\nproduction: Pangolin
\ndistribution: Bonobostudio<\/p>\n![\"arheo29vladislav-knezzevic\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/Arheo29Vladislav-Knezzevic--e1483445480690.jpg\")
\nCroatia
\nshort experimental-animated film, stereoscopic 3D<\/p>\n
\nanimation and compositing: Mario Kalogjera:
\nproducer: Vanja Andrijevi\u0107
\nproduction and distribution: Bonobostudio<\/p>\n![\"kinocrveazvezda\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/kinocrveazvezda-e1483445567675.jpg\")
\nCroatia
\nshort experimental film<\/p>\n
\nscreenplay: Marina Viculin, Silvestar Kolbas
\nediting: Slaven Ze\u010devi\u0107
\nmusic: Jakov Kolbas
\nproducer and distributor: Silvestar Kolbas<\/p>\nVisual Reflections \/ 6 – 6:30 PM
\n<\/strong><\/h4>\n![\"markotadic\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/markotadic-e1483445608167.jpg\")
\nCroatia
\nshort experimental-animated film<\/p>\n
\nsound design: Bojan Gagi\u0107, Miodrag Gladovi\u0107
\nmusic: Gordan Tudor, Alen Sinkauz, Nenad Sinkauz
\nproduction: Zagreb film
\nco-production: Kreativni sindikat<\/p>\n![\"petradota\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/petradota-e1483445646279.jpg\")
\nCroatia
\nshort experimental-animated film<\/p>\n
\nstoryboard: Petra Zlonoga
\ncompositing: Petra Zlonoga, Miro Manojlovi\u0107
\nsound design: Ante Perkovi\u0107, Ivan Zeli\u0107
\nmusic: Ante Perkovi\u0107
\nproduction: Kinoklub Zagreb
\ndistribution: Bonobostudio<\/p>\n![\"tutamo\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/tutamo.jpg\")
\nCroatia
\nshort experimental-animated film<\/p>\n
\nanimation: Alexander Stewart, Darko Masnec
\ndesign: Alexander Stewart
\nsound design: Alexander Stewart
\ncolour grading: Mario Kalogjera
\nproducer: Vanja Andrijevi\u0107
\nproduction: Bonobostudio
\nsupport: Hrvatski audiovizualni centar (HAVC), De Paul University, University Research Council<\/p>\n![\"daliborbaric-pain\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/daliborbaric-pain-e1483445722380.jpg\")
\nCroatia
\ncut-out<\/p>\n
\ncinematography and animation: Dalibor Bari\u0107
\nproduction: Dalibor Bari\u0107
\ndistribution: Bonobostudio<\/p>\nLiving with Modernism \/ 6:45 – 8:30 PM
\n<\/strong><\/h4>\n![\"prebivaista\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/prebivaista-e1483445748749.jpg\")
\nCroatia
\nvideo, black and white, no sound<\/p>\n![\"betonski_spavaci\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/Betonski_spavaci-e1483445782268.jpg\")
\nCroatia
\ndocumentary series<\/p>\n
\nscreenplay: Sa\u0161a Ban, Maroje Mrdulja\u0161, Nevenka Sabli\u0107
\ncinematography: Hrvoje Franji\u0107
\nediting: Vanja Siru\u010dek
\nsound design: Nenad Kova\u010di\u0107
\nproduce: Miljenka \u010cogelja, Dana Budisavljevi\u0107
\nproduction: Hulahop za HTV<\/p>\n![\"darkofritz-nocvijuznizagreb\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/darkofritz-nocvijuznizagreb-e1483445808568.jpg\")
\nCroatia
\nshort experimental film<\/p>\n
\ncinematography: Ivana Marini\u0107 Kragi\u0107
\nediting: Ivan Maru\u0161i\u0107 Klif
\nsound design: Francisco L\u00f3pez
\nprogramming: Ivan Maru\u0161i\u0107 Klif
\n3D architectural modeling: Nenad Ravni\u0107, Nikica Pavlovi\u0107
\nmatch moving: Tom Vujnovi\u0107
\nproducer: Ivana Marini\u0107 Kragi\u0107
\nproduction: Marinis Media<\/p>\n![\"josuvijekuorbiti\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/josuvijekuorbiti-e1483445852692.jpg\")
\nexperimental, short
\nProdukcija: Restart (Hrvatska)
\nco-production: Dart Film (Srbija), Flvmina Creative Production (Brazil)<\/p>\nSocial Reruns \/ 8:30 – 10 PM
\n<\/strong><\/h4>\n![\"dopnwxeazlayga1mc8618mof73f\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/dopnwxeazlayga1mc8618mof73f-e1483378362958.jpeg\")
<\/strong>
\nCroatia\/Switzerland
\nshort animated film, technique: paint on glass<\/p>\n
\nscreenplay and animation: Michaela M\u00fcller
\nsound design: Fa Ventilato, Michaela M\u00fcller
\nmusic: Fa Ventilato
\nmentor: Aleksandar Battista Ili\u0107
\nproduction: Academy of Fine Arts Zagreb, Croatia<\/p>\n![\"presuda\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/presuda-e1483445887417.jpg\")
\nCroatia
\nshort documentary<\/p>\n
\ncinematography: Pavel Posavec, Nikola Su\u010devi\u0107, Tamara Dugand\u017eija, \u0110uro Gavran
\nediting: Iva Mrki\u0107
\nsound: Daniel Peji\u0107
\nproducer: Miljenka \u010cogelja
\nproduction: Pipser \u00a0d.o.o.<\/p>\n![\"susreti\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/susreti-e1483445963135.jpg\")
\nCroatia
\nshort documentary<\/p>\n
\nscreenplay and cinematography: Igor Bezinovi\u0107
\nediting: Iva Mrki\u0107
\nmusic: Dario Plevnik i \u2018Najbolji hrvatski tambura\u0161i\u2019
\nsound: Ton\u010di Tafra
\nproducer: Oliver Serti\u0107
\nproduction: Restart<\/p>\n![\"delta\"](\"https:\/\/zgraf.hr\/wp-content\/uploads\/2017\/01\/delta-e1483445994935.jpg\")
\nCroatia
\nshort documentary<\/p>\n
\ncinematography: Kristijan Vu\u010dkovi\u0107
\nediting: Marta Batini\u0107
\nsound design: Zoran Medved
\nmusic: Josip Mar\u0161i\u0107
\nproduction: Filmaktiv
\nsupport: Primorsko-goranska \u017eupanija<\/p>\n